THE TEAM

Guillaume Pigé - Artistic Director

Guillaume is an actor, director, mime and magician. He formed Theatre Re in 2009.


Guillaume trained at the Conservatory of Villeurbanne (FR) and graduated from the International School of Corporeal Mime in London under the direction of Corinne Soum and Steven Wasson. He also studied with Thomas Leabhart and Daniel Stein. Guillaume holds an MA in Text and Performance Studies from King’s College & RADA.


Apart from directing and performing in all Theatre Re’s productions to date, Guillaume worked as a Movement Director with Andrew Visnevski, Sue Dunderdale and Bill Gaskill. He is an Associate Teacher at RADA, and Head of Movement at Fourth Monkey Actor Training Company. He is regularly invited to give workshops in the UK and internationally. He was recently commissioned by The National Theatre (UK) to produce a new literal translation of Tartuffe by Molière.


Guillaume is an @HOME Artist at The Point, Eastleigh.

Creative teams

We work closely with various professional theatre makers (performers, composers, directors, designers, writers, film makers) from diverse artistic and cultural experiences to devise our shows.

The work could not happen without these precious collaborators and their names are credited under the production that they are involved with.


We are also always very keen to meet new people to work with, so if you like what we do and would like to work with us, do send us an email at: info@retheatre.com


Alex Judd - Associate Artist

Alex is a musician and composer. He studied violin, piano and composition at the Guildhall School of Music and Drama in London before going on to read music at Goldsmiths College, University of London and specialising in composition.


Composing extensively for dance and drama projects, Alex is currently working on the music for Theatre Re’s new production ‘The Nature of Forgetting’. Alex also performed and composed for the company’s previous productions ‘Blind Man’s Song’, ‘The Little Soldiers’ (receiving an Off West End Best Sound Design award nomination) and ‘The Gambler’. Other recent composition credits include music for pieces performed at the Elixir Festival (Sadlers Wells), Resolution Festival (The Place) and the European Cultural Congress, along with commissions from production companies Duck Duck Moose and Sons, Floodwater Films and author/speaker Mindy Gibbins-Klein.


Alex is also an experienced session musician and currently performs with pop artist Bright Light Bright Light (UK / European tours supporting Elton John in 2014/15) and award-winning improvised comedy group Austentatious (UK tours in 2014-16 including performances at the Udderbelly Festival, Southbank Centre). Alex works as an accompanist at Middlesex University and also recently judged the contemporary music category for The Big Music Project.

alexjuddmusic.co.uk

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Malik Ibheis - Associate Artist

Malik is a trained Mime, Physical Performer and Costume Designer.

He has studied at Die Etage, Berlin, and graduated from the International School of Corporeal Mime in London. He is also currently training in contortion and advanced flexibility with world famous Mongolian contortionist Iona Luvsandorj.


As The Ungewinster he creates characters using props, costumes and makeup he designs and builds himself, drawing inspiration from expressionist silent movies, comic books, Steampunk, as well as the works of Edward Gorey, Neil Gaiman and Tim Burton. His costume designs for 'The Little Soldiers' by Theatre Re were nominated for an Off West End Award and his short-film 'The Gorey Cabinet' won 1st place at the Paracosm Contest by La République Internationale Des Arts and a Dandypunk.


He has worked with film-maker Shelly Love, punk-marching-band Perhaps Contraption, for the CBBC, Punchdrunk, London Wonderground, Petersham Playhouse and events such as Rumpus, A Curious Invitation, White Mischief and the Double R Club. He was recently performing in and creating the costumes for 'The Caligari Experience' by Compass Presents and is currently in the design process for props and costumes on Theatre Re’s 'Blind Man's Song' as well as for ‘Pandoras Circus’ by Inverted. Together with infamous singer and performer Le Pustra he is now building a little universe of his own, called ‘The Gorey Cabinet’.

abnormalik.com

Photo: François Verbeek

“Theatre Re has a gorgeous aesthetic quality that enchants the audience.”

A Younger Theatre

Katherine Graham - Associate Artist

Katherine is a lighting designer and researcher. She is a PhD candidate at the University of Leeds, where her work focuses on the agency of light in performance. She also holds an MA in Visual Language of Performance from Wimbledon College of Art, London, and also read Drama Studies and Modern Irish at Trinity College, Dublin.


Specialising in new and devised practice she has worked extensively as a lighting designer in the UK and Ireland, and intermittently as a stage and costume designer. With Theatre Re she has designed light for ‘Blind Man’s Song’; ‘The Little Soldiers’; and ‘The Gambler’. Her design work includes light and stage design for ‘No’s Knife’, a new adaptation of Samuel Beckett’s Texts for Nothing, in New York for the Lincoln Centre’s White Light Festival 2015. Other light designs include ‘Saxon Court’; ‘Responsible Other’; ‘Sense’; and ‘Chicken’ (Made by Brick); ‘Nineveh’ (Theatre Temoin); ‘The Flying Roast Goose’ (Out of Chaos); ‘BYPASS’ (Painted Filly); ‘You Can’t Just Leave There’s Always Something’; ‘Andy Warhol’s Nothing Special’ (Spilt Gin). She is an associate artist with Beyond the Bark Puppet and Installation Theatre, with whom she has designed lighting for ‘Spun’ and ‘The Bright Side of the Moon’.


Practice as research presentations include the solo works ‘Re-membering’ (London) and ‘City Walk’ (London/Dublin/Galway) and lighting design for the first production of Wyndham Lewis’ Enemy of the Stars (Dublin and Fez).

katherine-graham.com

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